CALL + RESPONSE 2004

CALL + RESPONSE 2004

Frequency and Resonance

X
X
X

X
X
X
X
X

A collection of horizontal drawings with silver lines, swinging, softly, drawn free hand, back and forth with equal intensity on black paper.

Gospel.

Singing.

Resonance between two individuals when their silence – the pause, is lush, palpable and oh so very tender.

Rhythm.

Private.

Lullaby.

Please note:

https://catherineljohnson.wordpress.com/2016/01/04/the-writings-herhymns-be-brave-lullaby-i-thou-poem-a-lullaby-for-a-lover-catherine-l-johnson-interdisciplinary-artist-humanly-possible-the-empathy-exhibition-instinct-art/

https://catherineljohnson.wordpress.com/2012/01/02/justice-is-what-love-looks-like-in-publicantiphonal-discourseintercourse-is-civilitylift-every-voice/

https://catherineljohnson.wordpress.com/2016/10/05/663-call-response-catherine-l-johnson-2004-rhythm-private-lullaby/

https://catherineljohnson.wordpress.com/2014/11/12/sparrow-fly-my-heart-free-catherine-l-johnson-2010-deafening-despair-call-and-response-the-sparrow-is-a-symbol-of-the-beloved/

https://catherineljohnson.wordpress.com/2012/01/02/justice-is-what-love-looks-like-in-publicantiphonal-discourseintercourse-is-civilitylift-every-voice/

LANDSCAPE: MINNESOTA 2013

LANDSCAPE: MINNESOTA 2013

X
X
X

X
X
X
X
X

COMMISSION

Four works.

Private collection.

For further information:

https://catherineljohnson.wordpress.com/2013/05/31/landscape-minnesota-triptych-feel-the-movementsound-of-the-wind-rhapsody/

https://catherineljohnson.wordpress.com/2012/06/04/research-bluegreensand-mn-landscape-vento-nature-sanctuary-catherine-l-johnson/

TABULA RASA: The Dance Suites 2008

TABULA RASA: The Dance Suites 2008

X
X
X

X
X
X
X
X

 

Fifteen works in the TABULA RASA 2008 series.

Mixed media on board

Measurements of shown work: 12″ H x 24″W

TABULA RASA  The writings

Change.

Change the pattern.

Change the dance.

Change the sound.

Change the thought.

Change the view.

Change the volume.

Change the rhythm.

Change the understanding.

Change the bruise.

Change the garden.

Change the gold.

Change the kiss.

Change the touch.

Change the story.

Change the cowardice.

Change the bad.

Change the good.

Change the song.

Change the silence.

Change the beat.

Change the color.

Change the hymn.

Change the circle.

Change the lie.

Change the love.

Change the map.

Change the ocean.

Change the dark.

Change the light.

Change the sky.

Change the mouth.

Change the silence.

Change the thirst.

Change the longing.

Change the hunger.

Change the earth.

Change the skin.

Change the unknown.

Change the certainty.

Change the insecurity.

Change the heart.

Change the hand.

Change the fist.

Change the anger.

Change the fear.

Change the fight.

Change the blame.

Change the home.

Change the mind.

Change the lock.

Change the link.

Change the color.

Change the weak.

Change the strong.

Change the animal.

Change the demon.

Change the angel.

Change the prayer.

Change the choice.

Change the decision.

Change the dead.

Change the life.

Change.

Catherine L. Johnson

For further information:

https://catherineljohnson.wordpress.com/2013/12/21/21-december-2013-winter-solstice-the-peak-of-darkness-the-return-of-light-tabula-rasa-the-dance-suites-the-first-light-at-night

11September2001 A cantata for healing

11September2001 A cantata for healing

X
X
X

11september2001_rose_cantataforhealing_2001_clj_wp2

X
X
X
X
X

Four original drawings.

Each drawing: 40″H x 24″W

11 September 2001
Four works on paper created during the week of 11 September 2001. Four original works representing the four cardinal directions, collages of roses : smoke-shattered images made whole.

The series was placed in several ecumenical locations in memorial.

The four pieces were created immediately in the week/wake of our nation’s tragedy of devastation and horror

The Wayzata Community Church, Wayzata, Minnesota, installed my art for an ecumenical memorial service on the first anniversary.

I called the ministers at WCC church in July 2002 asking if they thought of offering an ecumenical memorial service marking the first anniversary of 9/11 and I had created  four original works immediately as my way of coping and transforming the terror.

We agreed to a face to face appointment. I knew they had to experience the four works.

My proposal was for a high ceremony of remembrance- and the work would be installed in the colonnade at the 4 cardinal directions high above eye level and each would shrouded by drapes of black veil that would fall onto the floor. Haunting. I know trauma sears the nervous system and scars the bone and heart. I know healing occurs in communion with others – sacred listening and intimate acknowledgement which slowly draws out the embedded dark energy. A sacred process of grace love.

The following day, Rev. Bob Stout called me and stated WCC would host an ecumenical service on 11 September 2002 and my work would be a visual centerpiece and a ‘performer’ in the service of remembrance and healing.

I was requested to walk in the processional with the Police Dept., the Fire Dept., and the city and state officials – all the ministers were involved.

On 11 September 2002, the Wayzata Community Church’s sanctuary was shoulder-to-shoulder seated on the pews and standing.

At the end of the solemn hour long service, the four ministers led the congregation out into the spacious colonnade where my four original works were shrouded in black veil. Complete silence as the congregation filled the spacious colonnade. 

Once everyone entered and had stilled, Rev. Bob Stout nodded. This gesture signaled to the other three ministers to pull down the black veils and the images of roses seemed to rush and rise upward as the black veil fell to the ground. A year of mourning had been marked. 

I created 3000 ribbons that appeared as wing-breaths in the days and weeks following 9/11. Nine steps was the”mantra”- the steps to create each ribbon- like the prayers in the Kaddish to commend the spirit to Heaven. Nine is a number that has symbolic resonance as well.

I created ribbons every night at the Dakota Jazz Club with my beloved friend Jane Matteson for fire departments, hospital ERs, bereft families, Minnesota Orchestra musicians and conductor, etc.

My first ‘actions’ were initiated at the South YMCA where I was a water fitness and weight training instructor. I set up a table for families at the South YMCA – and each person created one step of the nine steps and, once completed passed it to the person sitting next to them – until completion. The ‘actions’ were soothing and transformed fear into a productive gesture. Families, extended families, participated: a positive action to quiet overwhelming fear ans helplessness. Community actions binds the wounds – together as one, not alone.

The shape of the ribbons evolved and became to look more like wings toward the denouement of my offering.

Please note:

https://catherineljohnson.wordpress.com/2011/09/11/11-september-2001-11-september-2011/

https://catherineljohnson.wordpress.com/2021/09/11/1033-11-september-2001-re-act-11-september-2001-catherine-l-johnson-2001-11-september-2021/

PURE RIVER 1998 – 2000

PURE RIVER 1998 – 2000

X
X
X

 

PURE_RIVER_1998_CATHERINELJOHNSON

1998

X
X
X

PURE_RIVER_II_1999_CATHERINBELJOHNSON

1999

X
X
X

Pure River Triptych_MMAA_installation_2004_2005_CATHERINELJOHNSON

1999

OLYMPUS DIGITAL CAMERA

X
X
X

X
X

Midnight blue water swallowing moon light.
An icon of an epiphany when one
beholds the melding of two disparate elements into a single gasping moment.

The painting is layers of several shades
and hues of blue and green with
luxuriant veils of gold and silver rising
and falling. 

The painting opens and closes
its luminosity depending on the light
and the position of the viewer.

Pure River Triptych

Three panels
Center: 49″H x 34″W
Adjacent panels: 32″H x 18″W

Exhibited in traveling show: ABSTRACT PAINTING IN MINNESOTA 2004-2005

Please note:

http://news.minnesota.publicradio.org/features/2004/11/12_galballye_mnabstractart/

https://catherineljohnson.wordpress.com/2011/07/24/two-wolves-inside-us-all/

HEARTFIRE 1999 – 2005

HEARTFIRE 1999 – 2005

X
X
X

1999

X
X
X

 

HEARTFIRE_2000_CatherineLJohnson_WP

2000

X
X
X

HEARTFIRE_DIPTYCH_1999_CATHERINELJOHNSON

2000

X
X
X

HEARTFIRE_DIPTYCH_2003_CATHERINELJOHNSON

2005

X
X
X
X
X

 

The HEARTFIRE series is a continuous series which began in 1998 – 2005, and exists in various formats and dimensions.  The panels of HEARTFIRE diptych 2005 each measure: 53″ H x 37″ W.

Encounter.

Dialogue.

Conversation.

Radiance.

The curtain parts, and/or, the intensity of the radiant light penetrates and transcends all hindrances.

The work is made of veils of crimson and scarlet reds. The gold was laid down by wall paper brushes and then washed over with the reds, and then the red was washed away- this process was repeated over and over again until the moment when the gold crested and was unlocked. 

The HEARTFIRE series reveals itself upon various light conditions an in relation to the viewer. Like all my paintings, it is never one painting.

My painting is a dance and a sound. My work unfolds in time and in dialogue with the viewer. The viewer is not a passive spectator, but a participant- a dancer.

Private Collections.

For further information:

https://catherineljohnson.wordpress.com/2017/10/11/757-fire-firefire-firefirefire-heartfire-sacred-fire/

BLACKWINGEDNIGHT 2007

BLACKWINGEDNIGHT   2007    

                                             

x

X

X

BLACKWINGEDNIGHT_CLJ_2007

x

x

X
X
X

BLACKWINGEDNIGHT_HERHYMNFORGIVE_CLJ

X
X
X
X
X

A series of two original paintings.

Each work measures 22″ H x 29″ W x 2″D ​

Cobalt blue background / black foreground

Graphite lines

For further information:

https://catherineljohnson.wordpress.com/2015/02/08/my-art-pursues-the-beauty-of-realization-rather-than-perfect-beauty-my-workart-is-a-communication-vehicle-catherine-l-johnson/

RED SEA CROSSINGS: Blood Memoirs I and II 1995

X
X

RED_SEA_CROSSINGS_BLOOD_MEMOIRS_I_II_SIDE_1995_CATHERINELJOHNSON_WP

RED SEA CROSSINGS: Blood Memoirs  I and II  1995

48″ H x 34″ W x 2″ D

mixed media / canvas on board

X

X

Set of two paintings and several paintings on paper. 

The RED SEA CROSSINGS: Blood Memoirs diptych

was made of layers and layers of buried color

-sheets and cloaks of radiant gold over seas of rich deep reds.

X
X
X
X
X
X
X
X

The work is both an ephemeral and alternating encounter-revealing and veiling, as the viewer and the light source shifts in relation to the work.

The viewing is an experience of time unfolding and resonating with the immediacy of a drawing and the ancient luminosity of Mideval and Pre-Renaissance Italian painting. 

Cut lungs and gashed hearts. The fierce struggle/battle to BREATHE + LISTEN to one’s heart with honor/respect/love of one’s God given gift: LIFE.

To endure the dark night of the soul and harvest the liberating truth, the beauty, of the journey and cross over to the land of milk and honey as the harvest of LIGHTLOVEHOPE.

X
X

Acknowledgement. 

OVERCOME.

Transformation. 

Transcend.
Transfiguration. 

Breaking through– EXODUS.

FAITH.

Breaking FREE from bondage + captivity.

FAITH.

COURAGE.

GUIDED.

River.

LIVING waters.

A NEW sacred river: an authentic life.

 
 

For further information, please click on links below

https://catherineljohnson.wordpress.com/2017/12/03/765-encounter-dialogue-red-sea-crossings-blood-memoirs-i-and-ii-1995-heartfire-1998-pine-tree-hope-2005-catherine-l-johnson/

https://catherineljohnson.wordpress.com/2011/12/27/red-sea-crossing-pain-valuable-information-exodus-freedom/