LANDSCAPE: MINNESOTA 2013
X
X
X

X
X
X
X
X
COMMISSION
Four works.
Private collection.
For further information:
Four works.
Private collection.
For further information:
Fifteen works in the TABULA RASA 2008 series.
Mixed media on board
Measurements of shown work: 12″ H x 24″W
TABULA RASA The writings
Change.
Change the pattern.
Change the dance.
Change the sound.
Change the thought.
Change the view.
Change the volume.
Change the rhythm.
Change the understanding.
Change the bruise.
Change the garden.
Change the gold.
Change the kiss.
Change the touch.
Change the story.
Change the cowardice.
Change the bad.
Change the good.
Change the song.
Change the silence.
Change the beat.
Change the color.
Change the hymn.
Change the circle.
Change the lie.
Change the love.
Change the map.
Change the ocean.
Change the dark.
Change the light.
Change the sky.
Change the mouth.
Change the silence.
Change the thirst.
Change the longing.
Change the hunger.
Change the earth.
Change the skin.
Change the unknown.
Change the certainty.
Change the insecurity.
Change the heart.
Change the hand.
Change the fist.
Change the anger.
Change the fear.
Change the fight.
Change the blame.
Change the home.
Change the mind.
Change the lock.
Change the link.
Change the color.
Change the weak.
Change the strong.
Change the animal.
Change the demon.
Change the angel.
Change the prayer.
Change the choice.
Change the decision.
Change the dead.
Change the life.
Catherine L. Johnson
For further information:
The Waterfall series is extensive and exists in various dimensions and formats. Prussian blue paint applied with a squeegee on either iridescent gold or silver paper, and mounted on heavyweight archival 100% cotton board, collages, and/or created directly on heavyweight archival 100% cotton board.
Fear and desire: the force of nature and passion when the catapult to
fall must occur so as to fly. The paintings mark the revelation of a precipitous, urgent and forever turning point. Breaking through the fortress and dam of fear and marks the eternal moment when the life force of love and desire eclipses fear. The moment when the head long plummet discovers the soaring wings of integrity. This series was painted in the same blue found in sacred paintings in mosques. The blue was painted rapidly and was cascaded onto sheer gold or silver paper-capturing the released energy of the heart chakra.
Private Collections.
Two original Waterfall works were translated into a fine art prints and are installed at Track 29, an upscale residential project in Uptown Minneapolis. Either/both works can be acquired – customized to the collector’s site specific measurements.
Information on fine art prints : https://catherineljohnson.wordpress.com/for-art-collectors-designers-exquisite-beautiful-impeccable-site-specific-fine-art-prints-esteemed-artist-catherine-l-johnson-master-printer-mark-jones-arts-district-imageworks-inc-2/
For further information:
https://catherineljohnson.wordpress.com/2013/10/30/a-great-teacher-living-like-water-waterfall-portfolio-2004-catherine-l-johnson-water-is-a-great-teacher-that-shows-us-how-to-move-through-the-world-with-grace-ease-determination-and-humility/
https://catherineljohnson.wordpress.com/2013/01/07/water-moves/
Four original drawings.
Each drawing: 40″H x 24″W
11 September 2001
Four works on paper created during the week of 11 September 2001. Four original works representing the four cardinal directions, collages of roses : smoke-shattered images made whole.
The series was placed in several ecumenical locations in memorial.
The four pieces were created immediately in the week/wake of our nation’s tragedy of devastation and horror
The Wayzata Community Church, Wayzata, Minnesota, installed my art for an ecumenical memorial service on the first anniversary.
I called the ministers at WCC church in July 2002 asking if they thought of offering an ecumenical memorial service marking the first anniversary of 9/11 and I had created four original works immediately as my way of coping and transforming the terror.
We agreed to a face to face appointment. I knew they had to experience the four works.
My proposal was for a high ceremony of remembrance- and the work would be installed in the colonnade at the 4 cardinal directions high above eye level and each would shrouded by drapes of black veil that would fall onto the floor. Haunting. I know trauma sears the nervous system and scars the bone and heart. I know healing occurs in communion with others – sacred listening and intimate acknowledgement which slowly draws out the embedded dark energy. A sacred process of grace love.
The following day, Rev. Bob Stout called me and stated WCC would host an ecumenical service on 11 September 2002 and my work would be a visual centerpiece and a ‘performer’ in the service of remembrance and healing.
I was requested to walk in the processional with the Police Dept., the Fire Dept., and the city and state officials – all the ministers were involved.
On 11 September 2002, the Wayzata Community Church’s sanctuary was shoulder-to-shoulder seated on the pews and standing.
At the end of the solemn hour long service, the four ministers led the congregation out into the spacious colonnade where my four original works were shrouded in black veil. Complete silence as the congregation filled the spacious colonnade.
Once everyone entered and had stilled, Rev. Bob Stout nodded. This gesture signaled to the other three ministers to pull down the black veils and the images of roses seemed to rush and rise upward as the black veil fell to the ground. A year of mourning had been marked.
I created 3000 ribbons that appeared as wing-breaths in the days and weeks following 9/11. Nine steps was the”mantra”- the steps to create each ribbon- like the prayers in the Kaddish to commend the spirit to Heaven. Nine is a number that has symbolic resonance as well.
I created ribbons every night at the Dakota Jazz Club with my beloved friend Jane Matteson for fire departments, hospital ERs, bereft families, Minnesota Orchestra musicians and conductor, etc.
My first ‘actions’ were initiated at the South YMCA where I was a water fitness and weight training instructor. I set up a table for families at the South YMCA – and each person created one step of the nine steps and, once completed passed it to the person sitting next to them – until completion. The ‘actions’ were soothing and transformed fear into a productive gesture. Families, extended families, participated: a positive action to quiet overwhelming fear ans helplessness. Community actions binds the wounds – together as one, not alone.
The shape of the ribbons evolved and became to look more like wings toward the denouement of my offering.
Please note:
https://catherineljohnson.wordpress.com/2011/09/11/11-september-2001-11-september-2011/
Midnight blue water swallowing moon light.
An icon of an epiphany when one
beholds the melding of two disparate elements into a single gasping moment.
The painting is layers of several shades
and hues of blue and green with
luxuriant veils of gold and silver rising
and falling.
The painting opens and closes
its luminosity depending on the light
and the position of the viewer.
Pure River Triptych
Three panels
Center: 49″H x 34″W
Adjacent panels: 32″H x 18″W
Exhibited in traveling show: ABSTRACT PAINTING IN MINNESOTA 2004-2005
Please note:
http://news.minnesota.publicradio.org/features/2004/11/12_galballye_mnabstractart/
https://catherineljohnson.wordpress.com/2011/07/24/two-wolves-inside-us-all/
The HEARTFIRE series is a continuous series which began in 1998 – 2005, and exists in various formats and dimensions. The panels of HEARTFIRE diptych 2005 each measure: 53″ H x 37″ W.
Encounter.
Dialogue.
Conversation.
The curtain parts, and/or, the intensity of the radiant light penetrates and transcends all hindrances.
The work is made of veils of crimson and scarlet reds. The gold was laid down by wall paper brushes and then washed over with the reds, and then the red was washed away- this process was repeated over and over again until the moment when the gold crested and was unlocked.
The HEARTFIRE series reveals itself upon various light conditions an in relation to the viewer. Like all my paintings, it is never one painting.
My painting is a dance and a sound. My work unfolds in time and in dialogue with the viewer. The viewer is not a passive spectator, but a participant- a dancer.
Private Collections.
For further information:
A series of two original paintings.
Each work measures 22″ H x 29″ W x 2″D
Cobalt blue background / black foreground
Graphite lines
For further information:
8 sequential works
Each measures 20″ x 13″ W
Archival kraft paper + white line + archival black mat board
ELEMENT
MINIMAL.
SIMPLE.
PURE.
All of my work refuses/denies the camera’s eye.
The revelation, the experience, only
occurs with an actual encounter – presence.
The beauty of one’s beloved is
the improvisational/sacred listening
of/ for/ to/ with
the beloved.
Please click on link for further information:
Each work measures 10″H x 7.75″W
A collection of several works.
Mixed media on board
Hand drawn iridescent silver inscribed lines and hovering radiance on deep indigo base.
Private Collections.
One gifted to Charles Lloyd and Dorothy Darr while at the Dakota Jazz Club. 30 June 2015.
For further information:
Each work measures 13″ H x 12.5 ” W
Inscribed lines filled with black paint.
Veils and layers of pink is applied, wiped away-repeat. At last, a complete visual sonic occurs.
NO matter what color of skin we wear,
ALL of humanity are colored PINK inside/within each body. Truth.
For further information: